Signature partners — NOÉ × Mamou-Mani × Evozome × Kahle

Mamou-Mani

Architects of immersive experiences — London · Paris · Madrid

Studio founded by Arthur Mamou-Mani, registered in the United Kingdom, France and Spain. Pioneer of a practice known as « Circularity in Practice » — architecture as a living act, where each structure emerges from a dialogue with material, place and the gesture of making.

Internationally recognised for their Burning Man installations (Galaxia, 2018), biophilic cabins for Orange (Paris, 2021) and the wood-and-rattan tower in Bali (THK Tower, 2024). Mamou-Mani signs the first NOÉ sites — their international signature validates the concept and opens the doors to press, investors and the most demanding estate owners.

« A quote from Arthur Mamou-Mani about his collaboration with NOÉ will be added here, once validated at our next meeting. »
— Arthur Mamou-Mani (in drafting)

A few signature projects

Galaxia Temple, Burning Man 2018, spiral wooden structure — Mamou-Mani — **Galaxia Temple** Burning Man · 2018
Spiral of 20 wooden trusses converging towards a 3D mandala — a communal temple for healing and contemplation.

Cabanas Orange HQ, biophilic cocoons in bent ash wood — Mamou-Mani — **Cabanas — Orange HQ** Paris · 2021
Biophilic cocoons in bent ash wood, inspired by cactus fibres. One tree per pair of cabins — concrete circularity.

THK Tower Bali, 25 m wood-and-rattan tower, observatory and lay temple — Mamou-Mani — **THK Tower** Nuanu, Bali · 2024
25 m sustainable tower. Wood reclaimed from a colonial bridge, rattan skin treated with bio-epoxy. 360° view, night projection, Balinese wisdom.

ii.

Evozome

Zome & organic-structure studio — biomimicry and artisan craft

evozome.com ↗

A studio of architect-craftsmen founded in Serbia, Evozome designs and builds geometric structures — zomes, cabins, organic forms — in dialogue with the living. Their practice draws from Janine Benyus's biomimicry: « the conscious emulation of nature's genius ».

Durable spaces, sober aesthetics, natural materials. Their zomes (Zome 4, Zome 12, Cabin, bespoke structures) serve as saunas, studios, retreats, glamping cabins or permanent homes — elevated on adjustable steel pillars, demountable, designed for every climate. This artisan craft, rooted in matter, is what NOÉ pairs with Mamou-Mani's international signature.

« A quote from the Evozome team about their collaboration with NOÉ will be added here, once validated at our next meeting. »
— The Evozome team (in drafting)

A few structures

Inside an Evozome zome — polyhedral glass roof open to the canopy — **Glass-roof zome** Interior · Forest view
Polyhedral geometry clad in glass: the structural lattice talks with the canopy. Light, air and the living become materials.

Aerial view of an Evozome Diamond zome nested in the forest — **Diamond** Aerial view · Undergrowth
A faceted roof like a cut stone. Set delicately between the trees, visible from above, almost invisible from below.

Two Evozome Armadillo zomes seen from the sky, clearing on the edge of a forest — **Armadillo** Clearing · Forest
Geometric shells in raw nature. Demountable, raised on adjustable pillars — minimal footprint, durable in every climate.

iii.

Kahle Acoustics

Fine acoustics consulting — Brussels · projects worldwide

kahle.be ↗

Acoustics consultancy founded in Brussels by Eckhard Kahle, signature behind a hundred-plus concert halls, theatres, opera houses and recording studios across Europe and the world. Their philosophy holds in one sentence: « Fine acoustics is not there to be seen — it should blend into the architecture. »

For NOÉ, Kahle will tune the acoustics of our special ecolodges — those designed as recording and rehearsal studios in the heart of the landscape. A musician, a podcaster or an author can retreat for several days into a perfectly treated dome and work sound as one works a living material. This too is the NOÉ experience: not only inhabiting a place, but creating in it.

« A quote from the Kahle Acoustics team about their role in the NOÉ project will be added here, once validated at our next meeting. »
— Eckhard Kahle, Kahle Acoustics (in drafting)

A few signature projects

Private recording studio in London — exposed timber structure and acoustic panels, Kahle Acoustics — **Private Recording Studio** London · 2022
New-build studio for Leo Abrahams. Exposed timber structure, sheep's wool and cork insulation, garden view. Architect: A-Zero.

Arsonic Mons, hall dedicated to listening and contemporary sound — Kahle Acoustics — **Arsonic** Mons · 2015
Belgian listening hall dedicated to contemporary music and to sound in all its forms — silence and resonance as materials.

Flagey Studio 4 in Brussels, reference hall for recording and concerts — Kahle Acoustics — **Flagey** Brussels · 2002
Mythical Belgian radio studios fully refurbished — Studio 4 remains one of the most respected recording halls in Europe.

— The NOÉ choice

Why these three signatures.

Mamou-Mani brings the signature — international, recognised, press-grade. Evozome brings the hand — artisan, grounded, the gesture of making. Kahle brings the acoustics — worked silence, mastered resonance, the sonic material that turns some ecolodges into recording and rehearsal studios within the landscape. Together, the three sketch what NOÉ wants to be for partner estates: a place neither uniform, nor industrial, nor anonymous. A place that is signed, hand-built, and rings true. That is the condition for the experiences lived there to look like none other.

Become a NOÉ partner → Read the Origin

Mamou-Mani × Evozome × Kahle.

Mamou-Mani

A few signature projects

Evozome

A few structures

Kahle Acoustics

A few signature projects

Why these three signatures.